Unfortunately, his phone also runs out of power, so he hoofs it to a nearby gas station to buy a charger, and then searches desperately for a place to plug in. At the beginning of the episode, he has to ask Dave for money, a humbling request, but after a rendezvous with a young lady, he emerges from her apartment to discover that he’s the latest victim of Los Angeles’ arcane, frequently confusing, and always punitive street parking signs.
There’s a parallel story in the episode as well with GaTa that becomes a great opportunity for him to experience a nice and well-deserved victory. Before they can have that conversation, however, they interrupt Dave’s mesmerized charges performing some kind of dare or stunt that even Dave and Elz are weirded out by, breaking the tension as they start to open up to one another.
But even if he realizes too late that he has said too much, Dave decides to make peace with Elz and at least try to figure out what’s underneath their mutual animosity and inflexibility. The conversation doesn’t make him more cautious - he still divulges way too much about his own teenage shenanigans to these sheltered kids, and encourages them to misbehave, telling them that as kids they have carte blanche to use their still-developing brains as an excuse. But his efforts to get into the man’s good graces feels less like a business strategy than some subconscious expression of his own parental issues, manifested in bonding with the first authority figure he’s encountered in longer than he remembers that he actually respects (or thinks he does, anyway).Īfter being “interviewed” by Kareem Abdul-Jabbar in the episode bearing Abdul Jabbar’s name, Dave doesn’t seem especially more introspective, but he eventually begins to realize that this developing fight with Elz is stupid, thanks to a conversation with the boy who’s having his bar mitzvah and a group of his adoring, endlessly curious friends. Based on what we learned about Mike in “The Observer” - not just that he struggles to express his emotions, but has some issues with a father who he felt like he had to parent while he was growing up - the father’s compassion and support for his son clearly comes in sharp relief to his own experiences, which is probably why he blurts out “I love you” to the man. Nevertheless, Dave attempts to accommodate his client, while Mike (Andrew Santino) becomes oddly obsessed with seeking his approval, lying about a kid that he does not have and manufacturing an elaborate back story about a possible autism scare and anger management problems on the tee ball field. Regardless, Elz seems particularly cantankerous as they prepare to perform for three times their normal fee, and Dicky refuses to back down an inch, because, well, he’s Dave. Unfortunately, Dave and Elz no longer enjoy the same camaraderie that they did as kids, and a request from Elz’ manager for credit on any song he produces threatens to widen the growing rift between them. In “Bar Mitzvah,” a Jewish father hires Lil Dicky (Dave Burd) for his son’s bar mitzvah, prompting a raucous trip down memory lane for the rapper and his best friend and longtime producer Elz (Travis “Taco” Bennett), whose adolescence was evidently spent either issuing deeply disturbing dares or succumbing to them. It’s easier to tell which of two friends is being an asshole when they’re part of a story you’re watching instead of a relationship that you’re in, but Dave has become extremely skilled at blurring the distinctions between behavior that’s reactive and proactive.
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